by Lang Lang

Romance showcases Lang Lang’s innate yet sophisticated feeling for nuance and reflection. Carefully selected from his Sony Classical discography, the selections achieve a fulfilling programmatic unity through subtle contrasts in mood and style. The slow, yearning repeated note themes of Liszt’s Liebestraum No. 3 and Chopin’s “Aeolian Harp” Etude naturally lead into Hans Zimmer’s captivating main soundtrack theme from the film Gladiator. Similarly, the juxtaposition of Chopin’s C-sharp minor Nocturne, Liszt’s Consolation No. 3 and the Adagio from Beethoven’s Sonata op. 2 no. 3 and Bach’s Air on the G String illuminates the common ground between four proudly individual composers. Romance casts fresh light on Lang Lang’s lyrical gifts, revealing the artist behind the phenomenon.


1. Liszt - Liebestraum No. 3 in A-Flat Major, S. 541 / 3

2. Bach - Orchestral Suite No. 3 in D Major, BWV 1068: III. Air, "On the G String" (Arr. for Piano)

3. Chopin - Nocturne Op. Posth., KK IVa, No. 16 (20a), in C-Sharp Minor

4. Tchaikovsky - The Nutcracker, Op. 71: No. 14, Pas de deux, Var. II "Danse de la Fée Dragée"

5. Chopin - Études, Op. 25: No. 1 in A-Flat Major

6. Zimmer - Gladiator Rhapsody (From "Gladiator")

7. Bach - Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude (Choral)

8. Tchaikovsky - The Seasons, Op. 37a: VI. June: Barcarolle

9. Frédéric Chopin - Études, Op. 25: No. 5 in E Minor

10. Liszt / Schubert - Ave Maria, S. 558/12

11. Chopin - Etude, Op. 10, No. 3

12. Liszt - Romance "O pourquoi donc" in E Minor, S. 169

13. Beethoven - Piano Sonata No. 3 in C Major, Op. 2: II. Adagio

14. Chopin - Andante spianato and Grande Polonaise, Op. 22

15. Dudley - Poldark Prelude

16. Liszt - Consolation No. 3 in D-Flat Major, S. 172

17. Tchaikovsky - The Seasons, Op. 37a: I. January: At the Fireside