by Grave Pleasures
|There are still those rare bands out there in the world that have a unique ability to combine macabre, mystifying rock with a more pop-oriented flare, a la early Bowie or early The Cure. Grave Pleasures are such a band that is equally suited for playing on a stadium stage, or in some Lynchian nightmare. It’s that duality and electrifying contradiction that makes their music so exhilarating.
Grave Pleasures’ debut album Dreamcrash was released in 2015. Risen from the ashes of the short-lived underground sensation Beastmilk, the band’s new record reached out to a wide and diverse audience. In the album’s wake, they brought the sound of their atomic punk to such high profile festivals as Hellfest, Sweden Rock, Reverence Festival, Rockavaria, Rock Im Revier. They toured Europe extensively and recorded a BBC live session for Daniel P Carter’s Radio 1 Rock Show. They followed up in 2016 with the Funeral Party 7” to critics and fans delight alike, and which revved up the buzz and expectations behind a new full-length record from the band.
Motherblood was recorded at Orgone Studios in the UK with Jaime Gomez Arellano (Ghost, Ulver, Paradise Lost) in March 2017. The studio was suitably situated on the site of an old WW2 coding bunker and brought with it the isolation of the bleak British countryside. The setting helped give the album an intense and smiling urgency that picks up where 80s UK bands such as Magazine, The Wire and Echo And The Bunnymen left off, but never stopping long enough to look back too much into the past.
They have been described as "A post-punk wet dream," or perhaps more honestly as "bat-shit lunatics," and their music is in a funereal world of its own. Motherblood is a truly danceable, pop-feast of raw, banging pleasure – in all its primitive, gothic tribalism.
Gatefold black LP with CD